lafcadio hearn glimpses of unfamiliar japan

Kanô Jigorô, the president of the school of that time, spread judo to the world. In 1891, he moved to Kumamoto and taught at the fifth high school for three years. In Matsué, he got acquainted with Nishida Sentarô, a colleague teacher and his lifelong friend, and married Koizumi Setsu, a daughter of a samurai. He afterward moved to Matsué as an English teacher of Shimané prefectural middle school. He arrived in Yokohama, but because of a dissatisfaction with the contract, he quickly quit the job. After making remarkable works in America as a journalist, he went to Japan in 1890 as a journey report writer of a magazine.

Rosa Cassimati (Ρόζα Αντωνίου Κασιμάτη in Greek), a Greek woman, bore Patrick Lafcadio Hearn (Πατρίκιος Λευκάδιος Χερν in Greek or 小泉八雲 in Japanese), a son, to Charles Hearn, an army doctor from Ireland. Greek-born American writer Lafcadio Hearn spent 15 years in Japan people note his collections of stories and essays, including Kokoro (1896), under pen name Koizumi Yakumo. Decorative, durable, and collectible, these books offer hours of pleasure to readers young and old and are an indispensable cornerstone for any home library. Each edition features authoritative texts by the world's greatest authors. This Edition 1 is one of KDP-OVERALL Collectible Editions classics. In 1894, just as Japan was truly opening to the West and global interest in Japanese culture was burgeoning, Hearn published this delightful series of essays glorifying what he called the 'rare charm of Japanese life.'īeautifully written and a joy to read, Hearn's love letters to the land of the rising sun enchant with their sweetly lyrical descriptions of winter street fairs, puppet theaters, religious statuaries, even the Japanese smile and its particular allure.Ī wonderful journal of immersion on a foreign land, this will bewitch Japanophiles and travelers to the East. In 1889, Westerner Lafcadio Hearn arrived in Japan on a journalistic assignment, and he fell so in love with the nation and its people that he never left.

Wherefore it is peculiarly well suited to goblinries and weirdnessess of all kinds and plays in which ghosts figure are the favourite subject. It is a play of which the dialogue is uttered by invisible personages, the actors and the scenery being only luminous shadows. A Japanese magic-lantern show is essentially dramatic.

Lafcadio hearn glimpses of unfamiliar japan